Crime is usually connected to mental health in fiction. What that really means and what that looks like in fiction may vary a bit, with some stories showing empathy for the person and others favoring lock them up and throw away the key scenarios. Often the interactions are cheap and over simplified and cater to the lowest common denominator. A perfect example of this is Primal Fear.
It’s October, so I thought I’d use this month’s blog posts to go back to where we started, with horror. (I’m not reviewing this season’s American Horror Story.) The perfect place to start is with Fatal Attraction, with one of the most obvious villains with mental health conditions in film history.
The ‘90s don’t seem like that long ago, certainly not 20 years. But having watched a bunch of ‘90s movies for this blog, I’ve come away with the thought that things really have changed. Nell brought that point home very clearly.
Tender is the Night is one of those books that has been on my to read list for as long as I can remember. Considered one of the classics of American literature, its reputation precedes it, to the point of obscuring what the novel is actually about. A scathing review of the idle rich and mental health in the 1920s and 1930s, the novel illuminates one ugly, persuasive view of psychiatry.
The movie A Dangerous Method focuses on one specific aspect of psychology, the early years of psychoanalysis. The interaction between the well-known psychologists Sigmund Freud and Carl Jung was seminal in the creation of the new discipline. What the movie looks at is the importance of two other, less famous colleagues, Sabrina Spielrein and Otto Gross, who were influential at the beginning of the movement.
Does familiarity with a story dim its effects on a person?If over 400 years have passed since its creation, can a play still encourage a person to self-harm?With William Shakespeare’s Romeo and Juliet, it seems that question is still very open. The numerous movies made of the story help keep it in the public consciousness, like Baz Lurhmann’s 1996 adaptation, Romeo+Juliet.